''Stern Von Rio'', 1955, movie poster painting by Josef Fenneker
by Movie World Posters
Title
''Stern Von Rio'', 1955, movie poster painting by Josef Fenneker
Artist
Movie World Posters
Medium
Painting - Movie Posters
Description
Base painting of the vintage movie poster for ''Stern Von Rio'', also known as "Star of Rio," is a 1955 West German film directed by Kurt Neumann. The title translates to "Star of Rio" in English. Set against the vibrant backdrop of Rio de Janeiro, the film is a romantic musical drama that follows the intertwining lives of its characters amidst the samba rhythms and colorful culture of Brazil.
The story revolves around a young and talented dancer named Maria, portrayed by the Brazilian actress Eliana Macedo, who dreams of becoming a star in the world of samba music and dance. Maria's journey takes a dramatic turn when she falls in love with Carlos, a handsome and charismatic musician played by Carlos Thompson.
As Maria and Carlos navigate the challenges of their budding romance, they must also contend with the ambitions and rivalries of those around them, including a jealous rival dancer and a scheming nightclub owner. Against the backdrop of Rio's vibrant nightlife and pulsating music scene, Maria and Carlos must fight to preserve their love and pursue their dreams.
"Stern von Rio" is characterized by its colorful cinematography, lively musical numbers, and infectious samba rhythms, all of which capture the energy and excitement of Rio de Janeiro in the 1950s. The film's vibrant portrayal of Brazilian culture and traditions adds depth and authenticity to its romantic storyline, immersing viewers in the sights, sounds, and rhythms of this dynamic and enchanting city.
While "Stern von Rio" may not be as well-known internationally as some other films of its time, it remains a beloved classic in German cinema, celebrated for its engaging storyline, memorable performances, and evocative portrayal of Rio de Janeiro's rich cultural heritage. With its blend of romance, music, and exotic locales, the film continues to captivate audiences with its timeless charm and universal themes of love, ambition, and the pursuit of dreams.
Base art is the poster artwork after the text has been digitally removed.
The posters of graphic artist and painter Josef Fenneker impress with their dark, mysterious and fascinating atmospheres. Stylistically, they embody the unusual and elegant forms of Art Nouveau and the intense emotional energy of the Expressionist painting. His characters, often haunting and spectral female figures, stand out against dark black or blue backgrounds. They are characterized by livid and gloomy tones. The restlessness of 1920s Berlin and the Weimer Republic shines through Fenneker's artworks.
The artist masterfully used the technique of color lithography, thus preferring the medium of printmaking. Lithography was a tradition in German culture. It allowed great expressive possibilities, enhancing contrasts and the sharpness of outlines. While the German printers in that period who were able to keep a colored image bright and distinct on top of a solid dark ink background were considered the world's most skilled.
About the artist:
Josef Fenneker (1895–1956) was born in Bocholt, Germany and went on to become a noted German painter and graphic artist, designing over 300 movie posters. His recognizable style drew mainly on German Expressionism with a flair for aesthetic decadence.
After studying in Münster, Düsseldorf, and Munich, Fenneker moved to Berlin, where he studied graphic arts and book art at the teaching institute of the Kunstgewerbemuseum. He was a master student of Emil Orlik during his studies there.
At the beginning of his career, Fenneker primarily focused on commercial graphics. However, after 1918, he began designing film posters for major Berlin premiere theaters. His unique style quickly earned him notoriety among the industry. Dr. Siegbert Goldschmitt, director of the distinguished Marmorhaus film theater, commissioned Fenneker to design for many of his theater’s exhibited films.
By age 30, Fenneker had already painted and designed over 250 works. Like many other European poster artists, he created original paintings instead of using photographs, stating, "No photo can show the 'excessive drama' of the cinema; only the drawn and painted illustration can do that."
Fenneker's influences included Expressionism, Cubism and Futurism, Art Deco, and Jugendstil (Art Nouveau). His expressionistic style earned him a position as one of the most important representatives of artistic film posters of the 1910s and 1920s.
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October 27th, 2022
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