''Godzilla Raids Again'', 1955 - art by Angelo Cesselon
by Movie World Posters
Title
''Godzilla Raids Again'', 1955 - art by Angelo Cesselon
Artist
Movie World Posters
Medium
Mixed Media - Vintage Movie Poster
Description
A vintage Italian movie poster of ''Godzilla Raids Again'', ," released in 1955 in Japan as "Gojira no Gyakushū" (ゴジラの逆襲), is the second film in the long-running Godzilla franchise. It was directed by Motoyoshi Oda and featured actors such as Hiroshi Koizumi and Setsuko Wakayama.
The movie is a direct sequel to the original 1954 "Godzilla" film, with Godzilla returning as the primary monster. In this installment, Godzilla battles another giant creature named Anguirus on a remote island. Anguirus is a spiky, dinosaur-like monster who becomes one of Godzilla's most iconic adversaries.
The story revolves around two pilots, Shoichi Tsukioka and Koji Kobayashi, who encounter Godzilla and Anguirus during a routine flight. They report their discovery, and efforts are made to contain the threat posed by the two rampaging monsters. The film explores the challenges of confronting these enormous creatures and the destructive consequences of their battles in a post-war Japan still grappling with the aftermath of World War II.
"Godzilla Raids Again" marks the beginning of Godzilla's transformation from a symbol of nuclear destruction to a more traditional monster movie character. The film is notable for introducing the idea of monsters battling each other, which would become a recurring theme in later Godzilla films.
While "Godzilla Raids Again" may not be as well-known or revered as the original 1954 film, it played a significant role in establishing the Godzilla franchise and the enduring popularity of the iconic kaiju (giant monster) character. It paved the way for the many sequels and spin-offs that followed in the decades to come.
About the poster artist:
Angelo Cesselon (Feb. 17, 1922 - Sept. 26, 1992) was an Italian poster painter born in Cinto Caomaggiore, Veneto. His art style became noted for its vibrant chromatic mixtures and original compositions. In addition, he had the striking ability to identify the psychology of a face and paint it using a rich artistic expression.
Cesselon began painting in the traditional 19th-century Venetian style from an early age. However, he became interested in contemporary art after his family moved to Rome. As a result, he began visiting the city's many art and graphic studios.
After World War II he designed posters for cinema studios, where he worked on all stages of poster production, from the initial draft to the completed poster. His preferred style, which he called the "spirit of the film," depicted only one large image, often a portrait, instead of the typical collage of many small images. Along with other Italian poster designers from the 1940s through the 1970s, he introduced new expressive methods that changed the look and feel of movie posters.
Cesselon also was known for his graphic design skill in the form of magazine and newspaper illustrations. In 1955, he was awarded the Italian Spiga Cambellotti prize for being the best cinematographic painter of the year. After winning another international award in 1958, his portrait work gained worldwide recognition. He was commissioned to paint portraits of many famous and influential personalities, including Italian President Giovanni Gronchi, Pope John XXIII, and Pope John Paul II.
As a portraitist for film stars into the 1970s, he worked directly with Gina Lollobrigida, Marilyn Monroe, Vittorio Gassman, and Totò. His work also led to collaborations with several major film studios in Europe and America, painting many of Hollywood's major stars.
He died in Velletri, Italy, in 1992. A book was published about his work in 1999: "Angelo Cesselon, Cinema Painter: A love story, Original cinematographic sketches: 1945-1975 ."
To see his other posters, enter his last name in the search.
Uploaded
February 9th, 2022
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