''Luna Park'', 1920 - art by Josef Fenneker
by Movie World Posters
Title
''Luna Park'', 1920 - art by Josef Fenneker
Artist
Movie World Posters
Medium
Mixed Media - Vintage Movie Poster
Description
A vintage German movie poster of ''Luna Park'', released in 1920, is a silent film that presents an intriguing glimpse into the cinematic styles and storytelling techniques of the early 20th century. The film, like many of its contemporaries, lacks spoken dialogue and relies heavily on visual storytelling, intertitles for dialogue and key plot points, and emotive acting to convey its narrative.
The plot of "Luna Park" typically centers around the events happening in or around a real or fictional amusement park named Luna Park. This setting allows for a variety of scenes filled with lively activities, showcasing the hustle and bustle of the amusement park, which would have been a novel and exciting backdrop at the time. The film likely includes scenes of popular attractions, like roller coasters, Ferris wheels, and merry-go-rounds, as well as the crowds enjoying them.
The characters in "Luna Park" might encompass a range of individuals one would expect to find in such a setting, such as park visitors, performers, and workers, each contributing to the film's narrative in their unique ways. The storyline might involve romance, comedy, or drama, typical of the silent film era, and would utilize physical expressions and gestures to a great extent due to the absence of audible dialogue.
The cinematography of "Luna Park" would reflect the technical limitations and stylistic choices of the era. This includes black and white imagery, the use of static camera shots with occasional pans or tilts, and perhaps some experimental techniques that were being explored at the time, like close-ups or unusual angles to add visual interest.
Overall, "Luna Park" would be a representative piece of early cinema, offering a window into the leisure activities of the era, the storytelling methods of silent films, and the technological capabilities of filmmaking in the 1920s.
The posters of graphic artist and painter Josef Fenneker impress with their dark, mysterious and fascinating atmospheres. Stylistically, they embody the unusual and elegant forms of Art Nouveau and the intense emotional energy of the Expressionist painting. His characters, often haunting and spectral female figures, stand out against dark black or blue backgrounds. They are characterized by livid and gloomy tones. The restlessness of 1920s Berlin and the Weimer Republic shines through Fenneker's artworks.
The artist masterfully used the technique of color lithography, thus preferring the medium of printmaking. Lithography was a tradition in German culture. It allowed great expressive possibilities, enhancing contrasts and the sharpness of outlines. While the German printers in that period who were able to keep a colored image bright and distinct within a solid dark ink background were considered the world's most skilled.
About the artist:
Josef Fenneker (1895–1956) was born in Bocholt, Germany and went on to become a noted German painter and graphic artist, designing over 300 movie posters. His recognizable style drew mainly on German Expressionism with a flair for aesthetic decadence.
After studying in Münster, Düsseldorf, and Munich, Fenneker moved to Berlin, where he studied graphic arts and book art at the teaching institute of the Kunstgewerbemuseum. He was a master student of Emil Orlik during his studies there.
At the beginning of his career, Fenneker primarily focused on commercial graphics. However, after 1918, he began designing film posters for major Berlin premiere theaters. His unique style quickly earned him notoriety among the industry. Dr. Siegbert Goldschmitt, director of the distinguished Marmorhaus film theater, commissioned Fenneker to design for many of his theater’s exhibited films.
By age 30, Fenneker had already painted and designed over 250 works. Like many other European poster artists, he created original paintings instead of using photographs, stating, "No photo can show the 'excessive drama' of the cinema; only the drawn and painted illustration can do that."
Fenneker's influences included Expressionism, Cubism and Futurism, Art Deco, and Jugendstil (Art Nouveau). His expressionistic style earned him a position as one of the most important representatives of artistic film posters of the 1910s and 1920s.
Search "Fenneker" to see more of his art.m posters for major Berlin premiere theaters. His unique style quickly earned him notoriety among the industry. Dr. Siegbert Goldschmitt, director of the distinguished Marmorhaus film theater, commissioned Fenneker to design for many of his theater’s exhibited films.
By age 30, Fenneker had already painted and designed over 250 works. Like many other European poster artists, he created original paintings instead of using photographs, stating, "No photo can show the 'excessive drama' of the cinema; only the drawn and painted illustration can do that."
Fenneker's influences included Expressionism, Cubism and Futurism, Art Deco, and Jugendstil (Art Nouveau). His expressionistic style earned him a position as one of the most important representatives of artistic film posters of the 1910s and 1920s.
Search "Fenneker" to see more of his art.
Uploaded
January 24th, 2022
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