''Die Minderjahrige'', 1921 - art by Josef Fenneker
by Movie World Posters
Title
''Die Minderjahrige'', 1921 - art by Josef Fenneker
Artist
Movie World Posters
Medium
Mixed Media - Vintage Movie Poster
Description
A vintage German movie poster of ''Die Minderjahrige'', (The Minor) is a 1921 German silent film directed by Adolf Gärtner. The film, made during the Weimar Republic era, reflects the artistic and cultural trends of early 20th-century German cinema, characterized by its silent film format and the burgeoning expressionist movement.
The movie likely delves into themes of youth, societal norms, and perhaps moral dilemmas, which were common in German cinema of that era. Given the title, "The Minor," the film probably centers around a young protagonist, possibly exploring her life, challenges, and the social attitudes towards minors at the time.
Silent films of this period were known for their emphasis on visual storytelling, using exaggerated sets, dramatic lighting, and expressive acting to convey the story and emotions, compensating for the lack of spoken dialogue. The actors' performances would have been crucial in conveying the narrative and themes to the audience.
Unfortunately, specific details about the plot, cast, and production of "Die Minderjährige" are not readily available, which is not uncommon for many films of this era. Many silent films have been lost or remain largely undocumented, making it challenging to access detailed information about them.
About the artist:
The posters of graphic artist and painter Josef Fenneker impress with their dark, mysterious and fascinating atmospheres. Stylistically, they embody the unusual and elegant forms of Art Nouveau and the intense emotional energy of the Expressionist painting. His characters, often haunting and spectral female figures, stand out against dark black or blue backgrounds. They are characterized by livid and gloomy tones. The restlessness of 1920s Berlin and the Weimer Republic shines through Fenneker's artworks.
The artist masterfully used the technique of color lithography, thus preferring the medium of printmaking. Lithography was a tradition in German culture. It allowed great expressive possibilities, enhancing contrasts and the sharpness of outlines. While the German printers in that period who were able to keep a colored image bright and distinct within a solid dark ink background were considered the world's most skilled.
Josef Fenneker (1895–1956) was born in Bocholt, Germany and went on to become a noted German painter and graphic artist, designing over 300 movie posters. His recognizable style drew mainly on German Expressionism with a flair for aesthetic decadence.
After studying in Münster, Düsseldorf, and Munich, Fenneker moved to Berlin, where he studied graphic arts and book art at the teaching institute of the Kunstgewerbemuseum. He was a master student of Emil Orlik during his studies there.
At the beginning of his career, Fenneker primarily focused on commercial graphics. However, after 1918, he began designing film posters for major Berlin premiere theaters. His unique style quickly earned him notoriety among the industry. Dr. Siegbert Goldschmitt, director of the distinguished Marmorhaus film theater, commissioned Fenneker to design for many of his theater’s exhibited films.
By age 30, Fenneker had already painted and designed over 250 works. Like many other European poster artists, he created original paintings instead of using photographs, stating, "No photo can show the 'excessive drama' of the cinema; only the drawn and painted illustration can do that."
Fenneker's influences included Expressionism, Cubism and Futurism, Art Deco, and Jugendstil (Art Nouveau). His expressionistic style earned him a position as one of the most important representatives of artistic film posters of the 1910s and 1920s.
Search "Fenneker" to see more of his art.m posters for major Berlin premiere theaters. His unique style quickly earned him notoriety among the industry. Dr. Siegbert Goldschmitt, director of the distinguished Marmorhaus film theater, commissioned Fenneker to design for many of his theater’s exhibited films.
By age 30, Fenneker had already painted and designed over 250 works. Like many other European poster artists, he created original paintings instead of using photographs, stating, "No photo can show the 'excessive drama' of the cinema; only the drawn and painted illustration can do that."
Fenneker's influences included Expressionism, Cubism and Futurism, Art Deco, and Jugendstil (Art Nouveau). His expressionistic style earned him a position as one of the most important representatives of artistic film posters of the 1910s and 1920s.
Search "Fenneker" to see more of his art.
Uploaded
January 23rd, 2022
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